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3D printed sculpture lamp “Forms in Nature”

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“3D PRINTED SCULPTURE ARTWORK TRANSFORMS AND CHARACTERIZES SPACES”

Hilden & Diaz Artists are finding interesting ways to use 3D printers, like Forms in Nature, a light sculpture that casts fantastic shadows of gnarly trees on the walls of the room in which it hangs.

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The 3D printed light sculpture casts fantastic shadows of gnarly trees on the walls when it hangs.

 

The light sculpture Forms in Nature is partly inspired by Ernst Haeckel’s (1834-1919) detailed plots from nature and is a further development of Hilden & Diaz’ fascination with mirrorings, as they have previously applied in other artworks. Using a simple action, such as intensifying the brightness at the center of the artwork, the light transforms the space and adds character, as the work throws oversized shadows onto walls and ceilings in the space in which it hangs.

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Through mirroring and intensified brightness at the center of the artwork oversized shadows are thrown onto walls and ceilings in the space

 

Forms in Nature Artwork

Forms in Nature is an artwork with a light source surrounded by a dense and unruly tree and root system created in minature sculpture. The forest is mirrored around it’s horizontal central axis and forms a circle 360 degrees around the light source and thereby leads one onto the notion of a real world versus an underworld.

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Interestingly, the roots are those elements of the forest that are the most visible

The sculpture is not only mirrored, but also turned upside down in Hilden & Diaz’ artwork. As the intensity of the light source increases, the room changes and the space slowly becomes more and more fascinating and unheimlich.

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The shadows engulfs the room and transforms the walls into unruly shadows of branches, bushes and gnarled trees.

 

Mirrorings are thrown out upon the walls and ceilings and provide weak Rorschach-like hints of faces, life and flow of consciousness. Diming the lights transforms the installation and one senses a weak fire burning deep in the center of the forest.

Great Lighting Inspiration, with many thanks for this increadible artwork to Hilden & Diaz Artists.

 

“Fall of the Damned Chandelier” by MGX.Materialise

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“A MASTERPIECE OF VIRTUOSITY: SIMILAR TO 18TH-CENTRURY IVORY FURNITURE, STRAIGHT FROM A COMPUTER”

It’s been a while since the initial launch in 2007, however the magic “Fall of the Damned Chandelier” designed by Dutch architect Luc Merx and printed by MGX.Materialise is still intriguing and very impressive. Consisting of a cluster of writhing human bodies and based on the notion of the fall of the damned, the lamp is made of white selective laser sintered polyamide.

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Fall of the Damned Chandelier : a 3D printed masterpiece about guilt and morality.

Seamless Masterpiece as One Part

The Damned.MGX chandelier was produced using additive layered fabrication as one piece, without joints or seams, and would be impossible to produce using other manufacturing methods. It appears as a hovering mass of writhing nudes – opulent and bombastic – and recalls the classical motif of the fall of the damned, challenging viewers with age-old questions of guilt and morality.

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Unlimited Design Freedom

The lamp is a masterpiece of virtuosity, similar to that of 18th-century ivory furniture, but the difference is that this is not the result of our virtuosity, but that of a computer. The new questions about the possibilities of forms posed by this originate in a new understanding of technology. Technology no longer generates the forces, which determine the design of goods, but it enables an incredible range of possibilities and thus creates a new freedom of form.

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Fall-of-the-Damned-Chandelier: 21st Century Masterpiece compared to the original 18th Century Painting.

Difference in Design Approach

The answer to this new freedom is not the voluntary self-restriction usually applied in modern design. Instead it’s the roam to work freely in the myriads of possibilities given to us. When considering design in this way, the design reflects the situation of the designer himself!

 

3D Printed LED Optics by Luximprint

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“3D PRINTED LED OPTICS: STRAIGHT FROM THE PRINTER WITH ONLY ONE STEP FROM CAD-TO-OPTIC”

Luximprint, a Dutch company having it’s head quarters and Creative Factories in Wemeldinge, Netherlands, offers services for Optics Design and Additive Manufacturing of Inspirational, Functional and Decorative Optical Plastics. The process 3D prints optical structures and elements using modified wide format industrial inkjet equipment.

LUXeXceL - One Step CAD-to-Optic
3D Printed LED Optics – In only one step from a digital CAD to an functional optics end product.

Droplets on Demand

Transparent droplets of a curable acryllic resin are jetted and then cured by strong UV-lamps which are integrated onto the print head. The results of the printoptical process are geometric or freeform shapes that may include transparent prisms or lenses, as well as full color 3D graphics and textures, all in a single print job.

Picture of Luximprint optical textures

 

Optical surfaces – no post-processing

The results of the process are geometric or freeform shapes that may include transparent prisms or lenses, as well as full color 3D graphics and textures. Optical quality surfaces are achieved with no post processing. Processing 3D printed optical plastics avoids complicated and costly conventional processes, gets rid of obsolete stock and shortens the time to market significantly.

Picture of 3D printed lens array by Luximprint
Functional 3D printed plastics – A printed lens array by Luximprint

More about the inventive Luximprint technologies and fabrication processes, the key to 3D printed LED optics is available at the companies website. If you’d like to further dive into the world of additive manufacturing, please also refer to a more extensive article on 3D printing of complete lighting fixtures elsewhere on this website.

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